On the democratization of war rhetoric and a video that reveals more about its sender than about its enemy.
The information war is escalating. Weeks earlier: Israeli-American attacks on Iranian targets. Tehran promises global retaliation. Now: IRIB, the Iranian state broadcaster, releases an AI-generated video. Title: "One Vengeance For All." Running time: 54 seconds. Message: Unmistakable.
The film opens with a history lesson unlike any Western textbook: the displacement of Native Americans, Hiroshima, Vietnam, Yemen, Afghanistan, Iraq, Gaza. Washington serves as the common thread running through decades of global suffering. This isn't entirely inaccurate—and precisely why it's so effective. The film concludes with a missile. It strikes the Statue of Liberty. Her head has been replaced by Baal—a horned creature considered a symbol of false idolatry in the Islamic context. Baal versus Allah. America against the oppressed of the world.
One vengeance for all. For all the oppressed. Simultaneously. With one rocket.
What the video reveals beyond its content is that Tehran has learned the language of modern information warfare. AI aesthetics, emotionally charged imagery, universal victim narratives – this is no longer 1980s propaganda. This is a carefully calibrated message for a global audience that consumes content on social media. The message: Every future Iranian attack is not an act of retaliation – it is an act of liberation for all oppressed humanity. This is either visionary self-aggrandizement or calculated rhetoric of escalation. Probably both.






"Dravens Tales from the Crypt" has been enchanting for over 15 years with a tasteless mixture of humor, serious journalism - for current events and unbalanced reporting in the press politics - and zombies, garnished with lots of art, entertainment and punk rock. Draven has turned his hobby into a popular brand that cannot be classified.







