When it comes to modern health dogmas, our enlightened civilization exists in a bizarre hybrid state somewhere between the Middle Ages, science fiction, and teleshopping. Except this time, the salespeople wear lab coats and their commercials are called "peer reviews." And, as always, the game only works thanks to a brilliant triad: fear, authority, and a public that would rather scroll through Netflix than ask a single question.
Let's start with a classic tactic: "viral load." A word that sounds like the final boss of a bad video game, but supposedly decides between life and death. The fact that a "high viral load" is no guarantee of illness? Irrelevant. The main thing is that the PCR test beeps, flashes, or turns pink somewhere. And if someone is cheerfully walking around despite a "high viral load," it instantly becomes a propaganda masterpiece: "asymptomatically ill"—a formulation so absurd that even Kafka would applaud it.
On to the second stroke of genius: "vaccine titers." Numbers taken so incredibly seriously, as if they were the direct expression of "divine immunity." Do these values actually say anything about real immunity, especially with modified RNA? No idea. Doesn't matter. The main thing is, you can use them to concoct another neat narrative: "pandemic of the unvaccinated," "dangerous individuals," "those who refuse to show solidarity"—theoretically perfect marketing terms for products whose manufacturers are simultaneously absolved of all responsibility. Brilliant, isn't it? You launch a product, force entire populations to use it, and assume zero liability. If capitalism were a video game, this would be the cheat code.
Act Three: Masks. The universal cloth of virtue. Protects everything, always, everywhere – except, of course, those who faint while wearing one or end up in the doctor's office weeks later with inflamed airways. But whatever: "The mask protects!" Whom exactly? From what exactly? For how long exactly? Quiet, citizens. One doesn't ask questions of faith.
Above all this hovers the great mantra: "Trust the science!" The translation, however, is: "Trust only the scientists we present to you." Everyone else is a charlatan, a heretic, or—the ultimate buzzword—a "conspiracy theorist." That modern virology and vaccineology call themselves "indeterministic" is almost poetic. In reality, it means: You can somehow fabricate anything. Criticism? Then you're the enemy of enlightenment, of truth, of democracy, of humanity, of the universe, and probably even of gravity.
It would be quite simple: There are already fields that don't view illness as a matter of chance – but rather as an interplay of mind, body, nervous, hormonal, and immune systems. Psychoneuroimmunology, psychosomatics, vitamin research, endocrine regulation – each of these fields clearly demonstrates that people are not statistical objects. They are individuals. Fates. Biographies. Systems.
But woe betide you if you say that out loud.
Then you destroy the business model of fear.
Because if illness were viewed holistically again – with clear causes, known courses, and natural mechanisms of healing – then suddenly there would be far less need to sell panic. Far fewer models, probabilities, and promises. Far less "protection" that isn't protection at all.
But that would be…
Utopia.
Or what you'll be called immediately:
"Uneducated fanatic".
While at the same time an industry is being celebrated that stopped questioning its fundamental assumptions 130 years ago. An industry whose control groups are pseudo-controlled. An industry that earns billions by selling probabilities as certainties.
But hey – history shows just how "scientific" all of this is: from the first vaccination attempt in 1796 to Pasteur's hypotheses at the end of the 19th century, to the electron microscope observation in 1931. And in parallel: discoveries of vitamin C, vitamin D, psychosomatics, psychoneuroimmunology – all building blocks of a completely different understanding of health. When you connect these lines, a bitter but honest conclusion remains:
The modern healthcare world thrives less on knowledge than on narrative.
Less about science than about authority.
Less about healing than about control.







"Dravens Tales from the Crypt" has been enchanting for over 15 years with a tasteless mixture of humor, serious journalism - for current events and unbalanced reporting in the press politics - and zombies, garnished with lots of art, entertainment and punk rock. Draven has turned his hobby into a popular brand that cannot be classified.







